We’ve talked previously of the problems facing
perceptions of anthropomorphic characters. Our main focus was how some consider
them too cute to be taken seriously or cannot get past the initial association
of anthropomorphic animals with children and children’s media.
However, there is one other perception of anthropomorphic
animals that actually escaped my mind until it was recently brought up:
Some folks just have no idea what anthro animals should look like.
I’m not talking about writers being unable to
consistently describe animal characters of various levels of anthropomorphism,
though that certainly causes its own problems. The main issue, once again, lies
in perception. I think it’s difficult to really make a blanket statement of
what this exactly is, but I will try with an example.
When I talk to a friend about an awesome story centering
on a suave, sophisticated cat that drives about town and stumbles into a world
of villainy and violence, he pictures this:
I'll bet he eats Fancy Feast. |
Meanwhile, while I’m talking about this, I have THIS picture in my mind’s eye:
He probably does too, though more literally. |
Not quite the same thing, is it? It certainly gives a
very different ‘feel’ to the story depending upon which of these you’re
picturing and which one speaks more to the kinds of characters that you enjoy.
It wasn’t until somebody, after reading a story of mine,
said to me that they were picturing normal dogs in human clothing that I
realized this mental separation existed. Not everybody grew up with Disney or
Don Bluth films to color their perception of talking animals, and I think some
of us fans of anthropomorphic literature forget that. I remember reading a
friend’s work in which he actually wanted
the reader to picture more realistic animals wielding guns and swords rather
than cartoony creatures that we would see cavorting with the likes of Mickey
Mouse. He felt one type of visual lent itself better to dark and serious
story-telling than the other.
That is why I think that anthropomorphic literature,
perhaps more than most, benefits a great deal from having art of some kind. Not
only is good anthro art a pleasure to look at for fans of the genre, but it
also helps readers to picture characters that they may have no other mental
frame of reference for. It gives readers a place to start and helps make the
story less about understanding WHAT you’re reading about and more about
understanding WHO you’re reading about. It’s sort of like those readers that
like to see a movie version of a book before reading so that they can picture
the actors and scenery better during the story.
It hurts to admit it, but sometimes it doesn’t matter how
wonderful your descriptions are. If a person can’t picture some fantastical
creature that you’re describing and billing as your protagonist, they’re going
to struggle.
Also, when I say that anthropomorphic literature really
benefits from art, I don’t necessarily mean that they need to have
illustrations throughout the book. Sometimes a simple, well-done picture on the
cover can do all that it needs to help readers to picture the creatures on the
pages. One of the current books I’m reading is very much like that. It
describes animals in a unique and strange way, giving normal-ish animals very
different colorations and adornments. Thanks to the cover image, though, I’ve
already got a picture in my mind of these animals, their ‘clothing’, and the
type of characters I’ll be reading about!
Of course, even with that, it doesn't stop me from
picturing things other than how the author exactly describes them…
... Eh, close enough. |
Until next time, happy reading, all!
-Chammy
Currently reading:
The Forges of Dawn
by E.M. Kinsey
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