Monday, September 29, 2014

We Are What We Are... Or Are We?

When it comes to raccoons in literature, one of the things that I have become most aware of is that they tend to get something of a bad rap. It’s somewhat rare to see a raccoon in a heroic role and more common to see one in the role of a dirty, good-for-nothing thief.

To be fair, we ARE good at it...

As I’ve thought about this, I’ve started to wonder what other animal stereotypes there are in anthropomorphic animal media and why they exist. I’m less curious about why they exist from a mechanical narrative perspective, as we’ve already talked about how many writers present animal characters in ways to make them as easily identifiable as possible. What I’m more curious about is what ‘inspires’ these stereotypes. I’ve long ago had to accept that having a built-in bandit mask and gloves does NOT help the characters in the raccoon population nab the role in the story of ‘honest hard-working citizen’.

Bah, playing the scoundrel is way more fun anyways…

Anywho, here are some major examples of these stereotypes that I’ve come to see in literature.


Weasels: The granddaddy of them all is right here. It’s even in our language to call somebody a weasel when they lie, cheat, and steal. They get bonus points if they also have a nasally laugh and shifty eyes. They also tend not to be the lead villains in the story and more often the lackey. One of the clearest examples I’ve seen of this is in Who Framed Roger Rabbit? where there’s a gang of weasels that really just epitomize the stereotype. Of course, that’s done for laughs and on purpose. In literature, it’s still pretty common to have untrustworthy weasels. Redwall is especially guilty of this, though it uses stoats and ferrets more than weasels. Every member of the weasel family in a Redwall book is untrustworthy, cruel, and generally the villain’s cannon fodder. Speaking of our favorite abbey…


Mice: I’ll admit that I’ve no solid idea how mice got to become such renowned heroes in anthropomorphic literature. I’ve heard many theories that seem sensible: Mice are analogues to the weak peasants and common men and women who sought to rise above the comparably massive and oppressive tyrants and nobility in their kingdoms. Mice are capable of living in abysmal situations and making the most of the least amount of resources imaginable. Mice and men have lived along one another for ages, both being communal species and sharing homes, food, and land, so mice have an innate connection to the everyman, who just so happens to be a favored type of hero.

The list goes on. The bottom line of it, though, is that mice perfectly embody one of the most popular types of heroic narratives: the growing hero. Many stories, especially epic fantasies, start with a protagonist who really is assumed to be nothing special by all but a select few. He’s either too small, too skinny, too fat, too young, or any number of other traits that folks just don’t think of when they think of heroes. In the animal kingdom, there are few animals so unassuming as a mouse. I think this really contributes to their role in popular fiction. As for examples, there are so many that I doubt I even need to give them. Mathias, Mrs. Frisby, Runaway Ralph, Mickey Mouse… It’s actually pretty incredible.

If you’d like to see a book that actually takes a fun look at how mice and heroes are connected, give Margery Sharp’s The Rescuers a read. It’s interesting how much sense it makes.


Bears: If mice are bold and heroic and weasels are evil and corrupt, then bears are our nice middle ground of being slow and relatively simple-minded. There aren’t too many bear heroes in literature, but there also aren’t too many bear villains. There are quite a few bear bystanders, though! The interesting stereotype of bear characters is that they often end up in the way while in pursuit of their simple goals. These goals usually involve food, such as in the case of Winnie the Pooh, but they can also involve just having a place to sleep. The reasons for authors depicting bears in this fashion are pretty clear, as bears are known for being massive, hungry, and hibernating during the winter, which surely must have terrified many an early explorer looking for comfort in a warm cave. There a number of books in children’s literature that depict bear characters lumbering about and trying to find a good place to sleep, only to be interrupted for one reason or another. Sometimes this results in the bear becoming something of a monster and attacking the heroes, but usually it just ends with the bear being denied whatever he wants at the time and lumbering off elsewhere to find it. While I did mention Winnie the Pooh, the character in literature that I feel best embodies this stereotype is the bear in C.S. Lewis’ The Last Battle. He’s described as a good and heroic character, but even the other heroes describe him constantly with one word: Simple.


Owls: The last on our list for now fits the bill for the missing key narrative role we’ve not yet touched on today: the wise old man. Owls and wisdom have been related since all the way back in Greek Mythology, if not even earlier. I’ve read that the reasons for this are related to both their nature and their appearance. Nature-wise, owls are fascinating hunters because of their uncanny perception. In the dead of night, an owl can sense a 3cm. long mouse running underneath thick foliage 20 feet below its perch. They can then make their kill silently and quickly, without any useless movements. Visually, an owl’s eyes are massive and they’re known for being able to move their heads to see in all directions. In short, owls are known for being all-seeing. Couple that with the fact that mankind has long had a fascination with winged creatures and associated them with spirits, and you have the perfect animal for a sage. The owl from Mrs. Frisby and the Rats of NIMH is the first one that comes to my mind, but even the owls in Silverwing fit this theme, being around since seemingly the dawn of time and having a commanding knowledge of the law, despite it perhaps being unjust. The times in stories when mice are paired with owls in this role tend to especially amuse me, as the mouse understandably seems amazed to not be eaten. Of course, there are a number of mouse stories where owls DO terrorize our heroic rodents.


There are many more, of course, and just because they’re stereotypes does not mean the characters are poorly written as much as they are somewhat traditional. If any readers here have animal stereotypes that you’ve noticed, list your favorites! It can be pretty fun to break down some of the core concepts of our favorite genre sometimes.

What? I'm just following instructions!


Until next time, happy reading, all!

-Chammy

Currently Reading:
The Unlikely Ones by Mary Brown

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