I
didn’t really want to do a ‘book review’ of Kenneth Oppel’s ‘Silverwing’, and
not because the book isn’t deserving of one! Rather, it’s because this book has
been around since 1997, had an animated series, and generally is considered a
‘classic’ by some. I feel like I would contribute nothing by reviewing this
book because it really is excellently written and I feel it deserves to be
called a ‘classic’ with so many other anthropomorphic stories such as ‘The Wind
in the Willows’ and ‘Mrs. Frisby and the Rats of NIMH’.
So,
if you want a review from me on the book, here it is:
This
book is awesome and you should add it to your literary collection immediately.
What
I DO want to do, however, is talk about this book and some of the thoughts I
had while reading it. If anyone here has also read it, don’t be afraid to
contribute your own thoughts or your opinion on my interpretations. Discussion
is what makes a novel strong!
‘Silverwing’
was a very strange book to me. I had never heard of it aside from brief
mentions of the cartoon, so when a good friend of mine suggested I read this
book, I at first thought he might be talking about some kind of comic. In
retrospect, I should have been ashamed to have known so little about this.
‘Silverwing’
is a fantastic read that really makes me nostalgic for days spent at my school
library, looking for my next book to read and finding a new world in every
single one. The world presented to us in ‘Silverwing’ is both ours and not
ours. It’s a world of bats, owls, rats, and other beasts, and they all have
their own laws and legends. Once I let myself be immersed in it, everything
made absolute sense and the world felt as familiar as our own. Reading the bats
talking about Nocturna wasn’t at all unlike hearing devout Christians. Hearing
the legends surrounding the past of their species made everything feel so
authentic and logical that it was almost scary. By the end of the book, I began
to wonder what sort of laws and thoughts the squirrel munching on peanuts in my
front yard would have, and I feel like that was partially the goal of this
book: to get us to think differently about our world.
There
are a ton of parallels between bat society and our own, which I believe is no
small mistake. One of the larger themes in this story is what it means for bats
to be ‘banded’. Some of the bats in the world have bands on them that we know
is a form of tracking humans place on certain animals. The bats, however, have
instead formed a bit of a religion around these bands. There are different
theories presented throughout the book on what they mean, with the titular
Silverwings believing the bands to be a sign of ‘Nocturna’s Promise’ and that
the banded bats would essentially lead them to salvation. Contrary to this, the
Brightwings see the bands as bad omens that lead to bats dying mysteriously and
horribly. From the neutral side, our villain of the story, a massive predatory
bat named Goth, believes the bands mean nothing and are just tools used by the
humans as a means of enslaving their race.
All of these beliefs actually come to a head a few times in the story,
and the ‘band debates’ drummed up many memories of similar religious debates
that I’ve seen or had myself, and they could get just as violent and hurtful,
but also just as personally affirming.
I
don’t know if Oppel was specifically making a commentary on religion or not
with the issue of ‘banding’ in this book, but I feel an argument could easily
be made for that as at least being a theme central to the story.
However,
don’t think that ‘Silverwing’ is a story with nothing to it but bands and
pseudo-philosophy! There is a ton of heart in this story as well. Shade, our
main character, is a great protagonist that has a lot to prove to himself and
everybody around him, and his development is solid and relatable. Shade is a
great character because, despite being our hero, there really isn’t a whole lot
that is remarkable about him. Shade is definitely not the strongest bat. In
fact, he could very well be the weakest in his entire clan. He’s not the
smartest either. He’s outsmarted by villains and friends alike all throughout
the story and is shown to be immature in many of his reasonings, which makes
perfect sense for his age. He’s definitely not the fastest, as his friend
Marina easily outpaces him and is shown to have more dexterity than him.
So
what does Shade have that makes him a hero?
Shade
learns.
In
a setup that really makes for a more interesting protagonist than most I’ve
seen, we learn early on that the only thing that Shade is good at is asking
questions and being curious. In fact, he nearly brings death upon his entire
clan because he was curious about seeing the sun for himself. Shade isn’t like
most plucky ‘rebel’ protagonists that break from the boring and Orwellian norm
in order to actually think like modern thinking people do. He actually asks
good questions in situations that most would be too scared to do so. Asking
your village elder about the origin of a belief when all the other elders have
been shown to be closed off and almost violent at being challenged. Asking
about why a law is the way it is when it clearly keeps everybody safe and isn’t
hurting anybody, but the origins of it sound unfair and strange. Asking about
evolutionary relations to a species that just tortured and tried to kill him
nearly as a whole. Shade never stops himself from asking questions that are
unpopular and even sensibly socially unacceptable.
And
what makes him extra interesting is that Shade listens. Shade will ask questions about so many things, and the
answers will actually matter to him, even if they’re answers that he’s
uncomfortable with and doesn’t want to hear. He’s not somebody who’s looking to
argue; he’s somebody who is looking to learn. THAT is what makes Shade an
incredible hero, and I feel that’s also what the central point of the book is:
Don’t
be afraid to learn.
Now,
if you’ll excuse me, I think I’ll give this series a closer look on my own…
After all, this was only the first book!
Adam West was nowhere to be found in this book. |
Happy
reading, all!
-Chammy
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