If You Give a Mouse a Big Mac

Some animals have diets that are extremely strict, to the point where eating something outside of that diet could cause illness or death outright.

Some animals’ diets are a little looser, and they can essentially eat nearly anything that fits into their mouth and be just fine for it in the long run.

Disregarding moral objections, I think we can generally agree on a few natural dietary habits of animals in the wild. They are either Carnivores (meat eaters), Herbivores (plant eaters), or Omnivores (those who get pizzas with everything on it).  This is one of those long-standing rules of nature that we’ve been taught ever since our first biology class.

Sadly, pandas as a species never got the memo about bamboo
being a poor energy source for them...

There is one question, however, that our biology classes failed to answer:

What does an omnivore do when he has to write for a carnivore or an herbivore?

The answer varies quite a bit, in truth, but some of the results might surprise you. I’ve read stories where rabbits go with their lion friends to restaurants and get chicken fingers just like anybody else. I’ve also read stories where rabbits would get sick after eating red meat by accident, or about tigers who had to resist the urge to eat their smaller, fluffy, meat-filled friends.

To be honest, it can be rather hard sometimes to create believable diets for anthropomorphic animals. For one, these creatures don’t even exist in the real world, so all we have to go off of for their dietary constraints are the animals they’re based on.  If a species evolved enough to walk on two legs, talk, and drive a car, then who’s to say their diets didn’t evolve along with them? Aside from that, writing a character who can only eat one type of food can sometimes, frankly, be a bit boring and strange to think about.  Here in America, it’s almost a national iconic scene to picture farmers hard at work in the fields all day and coming inside at sundown for a hearty meal of meat and potatoes.  It would probably boggle the mind of some people to switch out ‘meat and potatoes’ for ‘lettuce and cucumbers’.

In the end, because humans tend to be the creatures writing our fiction, the protagonists in our fiction tend to think like humans do, and that includes eating like them as well.

I don’t have any answers for which way of writing is best. In my own writing, I’ve written animals that are against dietary type and animals that stick to it like a religion. However, for those who think that writing meals for carnivores and especially herbivores is boring and requires very sterile descriptions of salads, I would like to direct you to Mr. Brian Jacques, the writer of the Redwall series.

I loved Redwall when I first started reading it, and I fell out of love with it as the series went on and I started liking some of the ideas and plots less and less. No matter how I felt about the stories themselves, though, there always remained one constant:

Brian Jacques is a master of writing feasts.

I can’t recall a single meal of his that did not make me hungrier after reading it. His descriptions of all-berry pastries and wines and beautiful dishes of fruits and vegetables defy expectations. They are filled with so much flavor, scents, and colors, and the characters, usually mice and shrews, are enjoying themselves so much that it’s like a Thanksgiving dinner being experienced for the very first time.

Just read this excerpt about the spread laid out for a feast at Redwall Abbey from Mattimeo:

“Salads of twelve different types, ranging from beetroot to radish, right through many varieties of lettuce and including fennel, dandelion, tomato, young onion, carrot, leek, corn – every sort of vegetable imaginable, cut shredded, diced or whole. These were backed up with the cheeses, arranged in wedge patterns of red, yellow and white, studded with nuts, herbs and apple. Loaves were everywhere, small brown cobs with seeds on top, long white batons with glazed crusts, early harvest loaves shaped like cornstocks, teabread, nutbread, spicebread and soft flowerbread for infants. The drinks were set out in pitchers and ewers, some in open bowls with floating mint leaves, October ale, fresh milk, blackcurrant wine, strawberry cordial, nutbrown beer, raspberry fizz, elderberry wine, damson juice, herb tea and cold cider.”

It continues to go on to describe the cakes and desserts to follow, but I had to stop myself there as my very eyes were watering with desire for this food.

The feasts of Redwall sometimes include fish, shrimp, or other seafood (there are often a variety of animals present in Redwall), but they’re just as often like this, listing line after line of food that would please the pallet of any herbivore. It’s really a great show of what can be done when a writer treats the diets of his characters with respect and joy.

Of course, not every story needs to spend a crazy amount of time talking about the food the characters eat. Still, having some level of consistency and respect to the idea that these are very different creatures that we are following is always appreciated and helps to make the world feel more real and complete.

What do you readers think? Do you prefer anthropomorphic animal characters who eat strictly like their real life counterparts, or is having a bit more open of a diet more fun to read about?

Now, if you’ll excuse me, I have to go look up what ‘white batons with glazed crusts’ are and how I can get my hands on one…

Happy reading, all!

-Chammy

Currently Reading:

The Last Wild by Piers Torday

Yep. There's a List for That.

Of the few websites that I visit in my daily life, there is one that I make a habit of visiting at least once or twice every few months. That may not sound much, but I only visit this site in order to keep up on my obvious interest in anthropomorphic literature.

You see, finding good books centered around anthropomorphic animals is not nearly as easy as it might sound. What was once nearly everywhere one could look is now surprisingly niche. Redwall and the Warriors series are the only recent anthropomorphic books of large public note that I can easily recall. We’re far removed from the days of the Wind in the Willows, Mrs. Frisby and the Rats of NIMH, and The Jungle Book, where such books were just titles that everybody knew as they grew up. These days, we have far more choices for literature than we’ve ever had before, and it’s led to a sort of dilution of content. With so many books out there and so many ways to access and find them, it’s surprisingly more difficult to discover those treasures like the stories that made up our elementary school library days.  Also, with the rise of self-publishing, especially in the e-book realm, finding books that are not only good stories, but also well-edited and written is harder than it ever has been.

What is a seeker of literature to do?

If you said: “Suck it up, pick a book, and get reading.” You would be right!

Raccoons don't hibernate. We just get kinda sleepy!

However, another handy option is to look online for recommendations and reading lists, and one of my favorite public reading lists is one known as the “Recommended Anthropomorphics List”, held and curated by the Ursa Major Awards.

The Ursa Major Awards is an awesome website that collects various examples of new anthropomorphic media and arranges them by year for easy browsing. Every year, they hold a world-wide vote for the best anthropomorphic works of that year. The works are categorized by Film, Dramatic Work, Novel, Short Story, Graphic Story, Comic Strip, Magazine, Website, Published Illustration, and Video Game.

Of course, it may not be considered as prestigious as an Oscar or Newberry Award, but seeing such works recognized in fields where they would otherwise be ignored by the majority of folks is quite wonderful.

The Anthropomorphics List that they produce each year is what I really go there for. Specifically the Novel category. Every year, I find some true gems in places where I never would have looked previously. In fact, the Gamma World novel that I mentioned in my last post was a novel that I discovered through these lists. I would strongly suggest that you take a look through the list as well if you have any interest in anthropomorphic characters in the media!

I should, however, put a disclaimer about this list. While it’s a wonderful website that has a wide net of content listed, not all of that content is for readers of all ages. With a smaller pool of new media to choose from, offensive content does come up. It’s not unlike any library, however. The purpose of this list, like libraries themselves, is not to censor or bar content from readers, but to give an open and free place for authors and creators to be seen or heard. Thankfully, for those of us that don’t want to have to dive in to a book or author website just to learn about its content rating, the UMA website gives a handy Mature Audiences tag at the end of any entry that qualifies.

In the future, once the nominations for the Ursa Major Novel Awards of 2014 are made public (Nominations open on January 15), I would really like to list them here on the website and read as many of them as possible. That way, when voting begins in March, all of us here can give some educated votes and maybe even discussion over which novels are most deserving.

Considering my reading pace is normally rather slow, this might end up being quite the challenge, but hopefully a lot of fun at the same time. I do hope you all join me for it!

Until next time, happy reading!

Currently Reading:

The Last Wild by Piers Torday